Sept. 23-25 — The Woodcut Portrait with Julie Lapping Rivera

$600.00

The Woodcut Portrait
Workshop with Guest Artist, Julie Lapping Rivera
September 23-25, 2026 | 10:00am – 4:00pm (daily)
$35 materials fee, Lunch provided

“The human face is a meeting place of two unknowns: the infinity of the outer world, and the uncharted, inner world to which each individual alone has access.”
John O'Donohue, Anam Cara

As a young artist, experiencing Rembrandt’s self portraits was a formative art moment for me. I felt the artist’s soul traveling through time to speak to me. I have fallen in love with portraits as a unique form of communication.

Woodcut brings particular possibilities and challenges to the process of creating a portrait. In this workshop, we will explore those possibilities together, from conception to execution.

We will meet on Zoom prior to our three-day workshop in order to explore our ideas together, and prepare to hit the ground running once we are in the studio. With concept and drawings ready to go, the fun begins as we carve, proof, experiment, and see what unfolds.

We’ll begin by looking at a wide range of portraits, to help us imagine the best expressive means for our projects. Your imagery might be representational, abstract, imaginary, and/or symbolic. You might choose to create a black and white or one-color woodcut, a color reduction, or perhaps introduce color with monotype or chine collé.

In this workshop, we will learn (or review) the basics: preparing the block, image transfer, carving techniques, honing our tools, color mixing, inking, registration, and basic monotype and chine collé techniques. We will be working on 9 x 12 inch shina plywood blocks.

Through demonstrations, hands-on studio time, and individual guidance, this workshop offers space to deepen your technical skills while creating a portrait that feels personal, expressive, and meaningful. This class is ideal for artists looking to deepen their carving skills and expand their relief printing practice. Prior carving experience is preferred so participants can fully engage with the creative and technical possibilities of the workshop.

Please bring your drawings, sketchbook, basic tools and drawing supplies.

DETAILS

  • Level: Prior carving experience preferred (wood or lino)

  • Dates: September 23-25, 2026

  • Time: 10:00am – 4:00pm (daily)

  • Class size: Limited to 10 participants

  • Materials Fee: $35

  • Lunch provided

Cancellation & Refund Policy
We understand that plans can change. If you need to cancel, you’ll receive a full refund with 2 weeks notice. Less than 2 weeks notice, we’ll happily issue you a credit toward another class.
For same-day cancellations or no-shows, tuition is nonrefundable.


Register & Pay: ADD TO CART then click on the CART at TOP RIGHT of site to complete checkout.

The Woodcut Portrait
Workshop with Guest Artist, Julie Lapping Rivera
September 23-25, 2026 | 10:00am – 4:00pm (daily)
$35 materials fee, Lunch provided

“The human face is a meeting place of two unknowns: the infinity of the outer world, and the uncharted, inner world to which each individual alone has access.”
John O'Donohue, Anam Cara

As a young artist, experiencing Rembrandt’s self portraits was a formative art moment for me. I felt the artist’s soul traveling through time to speak to me. I have fallen in love with portraits as a unique form of communication.

Woodcut brings particular possibilities and challenges to the process of creating a portrait. In this workshop, we will explore those possibilities together, from conception to execution.

We will meet on Zoom prior to our three-day workshop in order to explore our ideas together, and prepare to hit the ground running once we are in the studio. With concept and drawings ready to go, the fun begins as we carve, proof, experiment, and see what unfolds.

We’ll begin by looking at a wide range of portraits, to help us imagine the best expressive means for our projects. Your imagery might be representational, abstract, imaginary, and/or symbolic. You might choose to create a black and white or one-color woodcut, a color reduction, or perhaps introduce color with monotype or chine collé.

In this workshop, we will learn (or review) the basics: preparing the block, image transfer, carving techniques, honing our tools, color mixing, inking, registration, and basic monotype and chine collé techniques. We will be working on 9 x 12 inch shina plywood blocks.

Through demonstrations, hands-on studio time, and individual guidance, this workshop offers space to deepen your technical skills while creating a portrait that feels personal, expressive, and meaningful. This class is ideal for artists looking to deepen their carving skills and expand their relief printing practice. Prior carving experience is preferred so participants can fully engage with the creative and technical possibilities of the workshop.

Please bring your drawings, sketchbook, basic tools and drawing supplies.

DETAILS

  • Level: Prior carving experience preferred (wood or lino)

  • Dates: September 23-25, 2026

  • Time: 10:00am – 4:00pm (daily)

  • Class size: Limited to 10 participants

  • Materials Fee: $35

  • Lunch provided

Cancellation & Refund Policy
We understand that plans can change. If you need to cancel, you’ll receive a full refund with 2 weeks notice. Less than 2 weeks notice, we’ll happily issue you a credit toward another class.
For same-day cancellations or no-shows, tuition is nonrefundable.


Register & Pay: ADD TO CART then click on the CART at TOP RIGHT of site to complete checkout.

JULIE LAPPING RIVERA

Julie Lapping Rivera is a printmaker, painter, and teaching artist whose work is rooted in the meditative process of carving woodblocks to bring forth images. She creates visual narratives with the openness of poetry—using portraiture, symbolism, and layered imagery to explore autobiography, current events, and the collective interior world of thoughts, feelings, and dreams. Her work invites contemplation, connection, and emotional resonance.

Her ongoing project, Look Again: Portraits of Daring Women, combines woodcut portraits with poetry from a wide community of women writers, offering intimate and holistic portraits of often-overlooked women in history. The project was recently exhibited at the D’Amour Museum of Fine Arts and is now traveling nationally with Exhibit Envoy, with recent stops at the Loveland Museum and the Grace Hudson Museum.

Julie teaches at Smith College and Zea Mays Printmaking, and has worked with the Museum of Modern Art, Studio in a School Association, and Lincoln Center Institute. She is a recipient of a New York Foundation for the Arts Fellowship in Drawing and has received grants from the National Endowment for the Arts and the Massachusetts Cultural Council.