July 16-18: Monotype Printing: Exploring Chance & Layers of Expression with James Rees

$525.00

Monotype Printing: Exploring Chance & Layers of Expression
Workshop with Guest Artist, James Rees
July 16 - July 18, 2026 | 10:00am – 4:00pm
All materials and lunch provided.

Step into the unpredictable and exciting world of monotype printing, where spontaneity, gesture, and experimentation are celebrated. Often called “the most painterly of printmaking techniques,” monotype gives you the freedom to create one-of-a-kind prints that embrace surprises and moments of discovery, helping you loosen up and expand your art-making practice.

Over three days, you’ll explore fundamental techniques for creating images on non-absorbent plates (like Plexiglass) and transferring them to paper. We’ll work with both additive approaches—applying ink with brushes, rollers, and tools—and subtractive approaches—removing ink to reveal unexpected textures and forms. You’ll also explore trace monotype and ghost prints, discovering how each layer and mark can contribute to a dynamic, expressive image.

Through demonstrations, hands-on practice, and individual guidance, you’ll experiment with mark-making, color layering, and composition, building confidence in your process while embracing the joy of chance. This workshop is for anyone ready to dive in, take risks, and explore the possibilities that monotype can open in your work.

Expect to:

  • The fundamentals of monotype printing using non-absorbent plates like Plexiglass

  • How to create one-of-a-kind prints through both additive (applying ink) and subtractive (removing ink) techniques

  • Methods for using brushes, rollers, and various tools to build texture, gesture, and movement

  • How to create and layer trace monotypes and ghost prints for depth and variation

  • Ways to experiment with color layering and composition to develop expressive, painterly prints

  • How to embrace spontaneity, chance, and discovery as part of your creative process

  • Tips for loosening up your art-making practice and building confidence through hands-on exploration

DETAILS

  • Level: All levels, prior experience helpful, but not required.

  • Dates: July 16 - July 18, 2026

  • Time: 10:00am – 4:00pm (daily)

  • Class size: Limited to 12 participants

  • All materials and lunch provided

Cancellation & Refund Policy
We understand that plans can change. If you need to cancel, you’ll receive a full refund with 2 weeks notice.

Less than 2 weeks notice, we’ll happily issue you a credit toward another class.

For same-day cancellations or no-shows, tuition is nonrefundable.


Register & Pay: ADD TO CART then click on the CART at TOP RIGHT of site to complete checkout.

Monotype Printing: Exploring Chance & Layers of Expression
Workshop with Guest Artist, James Rees
July 16 - July 18, 2026 | 10:00am – 4:00pm
All materials and lunch provided.

Step into the unpredictable and exciting world of monotype printing, where spontaneity, gesture, and experimentation are celebrated. Often called “the most painterly of printmaking techniques,” monotype gives you the freedom to create one-of-a-kind prints that embrace surprises and moments of discovery, helping you loosen up and expand your art-making practice.

Over three days, you’ll explore fundamental techniques for creating images on non-absorbent plates (like Plexiglass) and transferring them to paper. We’ll work with both additive approaches—applying ink with brushes, rollers, and tools—and subtractive approaches—removing ink to reveal unexpected textures and forms. You’ll also explore trace monotype and ghost prints, discovering how each layer and mark can contribute to a dynamic, expressive image.

Through demonstrations, hands-on practice, and individual guidance, you’ll experiment with mark-making, color layering, and composition, building confidence in your process while embracing the joy of chance. This workshop is for anyone ready to dive in, take risks, and explore the possibilities that monotype can open in your work.

Expect to:

  • The fundamentals of monotype printing using non-absorbent plates like Plexiglass

  • How to create one-of-a-kind prints through both additive (applying ink) and subtractive (removing ink) techniques

  • Methods for using brushes, rollers, and various tools to build texture, gesture, and movement

  • How to create and layer trace monotypes and ghost prints for depth and variation

  • Ways to experiment with color layering and composition to develop expressive, painterly prints

  • How to embrace spontaneity, chance, and discovery as part of your creative process

  • Tips for loosening up your art-making practice and building confidence through hands-on exploration

DETAILS

  • Level: All levels, prior experience helpful, but not required.

  • Dates: July 16 - July 18, 2026

  • Time: 10:00am – 4:00pm (daily)

  • Class size: Limited to 12 participants

  • All materials and lunch provided

Cancellation & Refund Policy
We understand that plans can change. If you need to cancel, you’ll receive a full refund with 2 weeks notice.

Less than 2 weeks notice, we’ll happily issue you a credit toward another class.

For same-day cancellations or no-shows, tuition is nonrefundable.


Register & Pay: ADD TO CART then click on the CART at TOP RIGHT of site to complete checkout.

JAMES REES

James Rees, artist and award-winning educator whose career spans over thirty years, holds an MFA in Printmaking from the University of Arizona and a BFA in Drawing from Brigham Young University. He has taught at both institutions and led renowned printmaking workshops and lectures across the globe—including in South Korea, Chile, and the United States. His work and teaching emphasize creative exploration, printmaking, and the vital role of the arts in education.

James is a Distinguished Fellow of the National Art Education Association (NAEA) and has received numerous honors including The Sorenson Legacy Foundation Award for Excellence in Arts Education (twice), National Secondary Art Educator of the Year, InSEA’s Award for Excellence in Research, and the Lifetime Achievement Award from the Utah Art Education Association. His leadership has extended to national service roles with the NAEA, the NEA, and the President’s Committee on the Arts and the Humanities, where he continues to champion the power of art to inspire and connect communities.